Adriatics (A), 1973, Etching with aquatint, 32 9/16 x 22 1/4 inches
Adriatics (B), 1973, Etching with aquatint, 32 5/8 x 22 1/4 inches
Adriatics (C), 1973, Etching with aquatint, 32 1/2 x 22 3/16 inches
Adriatics (D), 1973, Etching with aquatint, 34 3/8 x 23 7/8 inches
Adriatics (E), 1973, Etching, 34 3/8 x 23 7/8 inches
Adriatics (F), 1973, Etching, 32 9/16 x 36 3/8
Adriatics (G), 1973, Etching, 32 5/8 x 36 inches
Vue de l’exposition de Bernard Aubertin, programme des interventions sur le bâtiment, dans le cadre de la saison “Imaginez l’Imaginaire”, 28.09.12 - 30.09.13, Palais de Tokyo, Paris. Bernard Aubertin, Tableau feu, 2012, performance du 27.09.12, © ADAGP, Paris 2012. Photo : Didier Plowy. (via Bernard Aubertin | Palais de Tokyo, centre d’art contemporain)
Exterior Frescoes at Sucevița Monastery, an Eastern Orthodox convent situated in the Northeastern part of Romania, 16th Century.
Image via Smithsonian Magazine, Print Edition, June 2007, Scripture Alfresco.
Corinna Belz - Gerhard Richter Painting, 2011
Were 3, 2002
Pigment, varnish, and pencil on cut-and-pasted paper, 71 x 86” (180.3 x 218.4 cm).
3D Paintings by Shintaro Ohata
Shintaro Ohata is an artist who depicts little things in everyday life like scenes of a movie and captures all sorts of light in his work with a unique touch: convenience stores at night, city roads on rainy day and fast-food shops at dawn etc. His paintings show us ordinary sceneries as dramas. He is also known for his characteristic style; placing sculptures in front of paintings, and shows them as one work, a combination of 2-D and 3-D world. He says that it all started from when he wondered “I could bring the atmosphere or dynamism of my paintings with a more different way if I place sculptures in front of paintings”. Many viewers tend to assume that there is a light source set into his work itself because of the strong expression of lights in his sculpture.
Youngbin Lee, Bath (2012)
‘The handsome pool party (detail)’
2013; Oil & mixed media on canvas, 111 x 170 cm.
An abstract painting inside the confines of the humble petri dish, a cylindrical container used by biologists to culture the growth of cells and algae, something the paintings seem to directly resemble.
Lesende Reader, 1994
72 cm x 102 cm
Oil on canvas
salmon totem ~ alden mason (r.i.p.)