Valerio Olgiati - Ausbau Bahnhof Hardbrücke, Zürich
2011 Wettbewerb
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(via uekou77)
Landquart, Switzerland
photography : Javier Miguel Verme
Valerio Olgiati - Schleife residential building, Zug 2012 (previously). Via, photo (C) van der Heckhuizen.

http://onsomething.tumblr.com/tagged/Valerio-Olgiati
Valerio Olgiati | Das Gelbe Haus, 1999 Flims
Since the intricate internal structure of the dwelling house was not suitable for the new purpose, we had to take rigorous action. The building was completely gutted; the interior was rebuilt in solid wood, the old external plaster-work was removed to reveal the natural stone walls, the roof was removed and replaced with randomly shaped stone slabs.
Windows and openings that were no longer needed were filled in; others were fitted with new concrete reveals cast in situ. Finally the new interior wood structure, the existing external stone walls and the new slab-stone roof were all painted white.
The final coat of white, the finest of lime-washes, forms the outermost skin of the building. It conceals anything left unfinished. At the same time it points to a certain contradiction.The white lime-wash seems to turn the childlike archaism and animal substance of this structure into an abstract thought – which for its part gives the house itself the appearance of a ‘vision’. Via 1
(Source: waullye.blogspot.pt, via uekou77)
From Valerio Olgiati’s image archive.
(via onsomething)
Valerio Olgiati - KN House, Zurich 2005. Both the interior and exterior walls are constructed entirely out of a sandwiched double-walled, unbroken (no formwork marks or holes), and remarkably thin white concrete. The walls are so thin that a custom concrete pouring hose had to be engineered to fit in the air gap between the two layers.
Entering at street level, you are confronted with a thin, windowless, monochromatic hallway that winds through the house’s footprint and terminates at a descending staircase. The hall and stair, through its sinuous pathway and lack of fenestration, creates a sense of mystery walking through the house, as there is no visual reference to one’s location or direction in the space. The surprise comes at the exit of the stairwell, in which one anticipates exiting into even deeper, darker underground area, but instead is greeted with a large, light-filled living space punctured by four massive, equally sized windows. Juxtaposed against the white walls, and in contrast to the cavernous nature of the stairs, the windows feel like paintings to the outside world. Engineered on chained lifts, they have the ability to be dropped below the floor, completely opening the space to the exterior.
(via uekou77)
Valerio Olgiati - Atelier Bardill, Scharans 2007. Via.
From Valerio Olgiati’s image archive.
(via uekou77)
From Valerio Olgiati’s image archive.
(via uekou77)

http://www.flickr.com/photos/pandoro/2745089326/
Neues Nationalparkzentrum, Zernez, Switzerland
Valerio Olgiati
Photographyed by pandoro

http://vanderpoel.posterous.com?tag=valerioolgiati
vanderpoel’s posterous - Filed under ‘Valerio Olgiati’

http://www.davidkohn.co.uk/office/writingbydk/
Gelbe Haus Model
Valerio Olgiati
Valerio Olgiati - Atelier Bardill, Scharans 2007 (previously, more on the facade ornament, and subtilitas’ first post). Located on the site of a former barn, strict historical regulations mandated that the new building occupy the same volume as the original structure. Since the client, a musical composer, only wanted to use the space as a studio and small retreat, the excess square footage required would have been cost-prohibitive to build and excessive to occupy. As a resolution, concrete walls were poured to match the shape of the existing barn, and habitable spaces, including sleeping quarters and a working room, were pushed to one side of the site. The left over area of the footprint is devoted to a large open air courtyard, framed by a circular cut-out above. The design not only satisfies historical regulations, but creates an unexpected and sublime space for quiet contemplation. Images via Sander Luckers.